"I was in Milan last year. I said: Lord, I love you all and they gave me two hundred thousand lire. You are capable of this? Because I am an artist and you do not So you should shut up because you have to learn from me. Listen! When you gain two hundred thousand pounds a day to do sightseeing you can say something. Now be quiet, or I wait it out. There is no passport to culture! "
Piero Ciampi Live Castiglioncello
This double-CD collection of unreleased material finally Piero Ciampi, why now is the time to make it public?
E 'from 1980 which looks to publish these things, the year of the death of Peter, when I discovered the existence of the registration Ciucheba Castiglioncello, and I went up there to retrieve it, thanks to the courtesy of Mauro Donati Owner (still) in the room. I did then circulate between the recording ciampiani friends, and you know why, commendably, they have published the transcript to your book. Published in CD but it was not easy for the discography Ciampi was (and is) an artist not "commercial", much less in recent years when the recording industry has not lapsed and discs are sold more ... But the recent opportunity to offer an independent record also the evening that we held in Parma with the finest artists performing Ciampi was immediately seized by Marcello Corvino Promomusic of Bologna, an enlightened and warlike record which has accepted the idea of \u200b\u200bpublishing all sound files that I have proposed: the performance of Ciucheba, to Ciampi Tenco 76 (finora uscita solo in un cd a tiratura limitata, allegato a una rivista) e la serata di Parma. Marcello, all'ascolto di tutte queste cose, si è entusiasmato, tanto che faremo ancora dei lavori su Ciampi insieme.
-Piero è sempre stato tra gli addetti ai lavori molto amato/odiato, ora è come se stesse uscendo allo scoperto, raggiungendo davvero tante persone...
-Piero è sempre stato tra gli addetti ai lavori molto amato/odiato, ora è come se stesse uscendo allo scoperto, raggiungendo davvero tante persone...
E' vero. Non è proprio misconosciuto, Piero Ciampi. Naturalmente è tutto relativo: in una società subculturale come quella di oggi non può (e aggiungo: non deve...) diventare popolare. Ma ormai sono tanti i giovani artisti che lo riscoprono e lo interpretano, on disc or in concert. To me that's enough.
- The second CD is just a tribute held in Parma in 2008 by various artists, where they sang songs to Piero, a lot of closeness and understanding, someone you've always felt close to him, and some interpretation that you have really impressed.
In Parma, we have "summoned" to be very attached to artists Ciampi (even existentially: or to think of Pino Pavone Nada, or both artistically: Marco Ongaro, La Crus, Luca Faggella) and artists 'virgin' who did not know and who discovered, fell in love and have sung very well. This was a bit ' The challenge: bring on the same plane and each other. While we assume that Nada interpreting Piero has been almost perfect this time, I was struck even the relatively "young" (Bersani, Webbe, Fabi, Pino Marino ...). The two peaks of the disc, though, for me are the "Courthouse" by Marco Ongaro and irresistible, the 'Adius "to Capossela.
-What 's your opinion on his speech and the most powerful message in his poetic delirium?
same time knowing how to move and entertain. The combination of violence and tenderness. Of tragedy and irony.
- Have you had an idea of \u200b\u200bwhat the strong public Piero, if it is a particular?
Piero slams you in the face of raw meat, or you can take them or run away. The audience loves him is that he is not afraid to be told the truth. That feelings, especially.
-What 's that makes us love and appreciate, to feel close without feeling old-fashioned?
Ciampi is modern. That's why it was not successful in its time.
- recently came out several charges including recordings, films and various Piero on, any work we do in his memory that is fine because it expands the knowledge or you can still run the risk of giving the wrong picture, what do you think?
- recently came out several charges including recordings, films and various Piero on, any work we do in his memory that is fine because it expands the knowledge or you can still run the risk of giving the wrong picture, what do you think?
With Piero is always the risk of reducing it to the cliché of the "cursed", anecdotes of the "genius and recklessness." The same two live recordings that I have published in this album to encourage this view. But the truth is real, then from there you can not escape. If you do not exceed this in mind, each document is useful to introduce it.
- What is the most beautiful thing I remember the Piero? and against any regrets?
The three days he spent in "Tenco" in 1976 are a thing of dazzling. I was always with him, I could not take, as he was in love. I regret not having called him to do more shows after the "Tenco" in my city for example, where concerts of singers, but I was afraid thinking it ungovernable. I do not lose. And then not to have known immediately that he was ill. Maybe I would have gone looking for him.
- having met him if he saw the world today exclaim what do you think?
"Fuck", of course.
DOUBLE LIVE CD Piero Ciampi
Piero Ciampi to live "Ciucheba"
01. spoken
02. "The sidewalk
03. spoken
04. Love is all here
05. spoken
06. I'll show you who I am
07. "The paralytic"
08. Adius
09. spoken
10. But funny that you're
11. spoken
12. The player
13. spoken
14. "Night"
15. epilogue (Mustafa)
CD2 - Omaggio a Piero Ciampi:
01. Morgan - Love is all here
02. Money
03. Pino Marino - Dirty summer
04. You no
05. Marco onager - In a courthouse
06. Pino Pavone - Suburb
07. Samuele Bersani - Someone will return
08. Niccolò Fabi - Until the last minute)
09. Luca Faggella - Livorno
10. The work
11. La Crus - Wine
12. Simon Webbe - Autumn in Milan
13. You and I, Maria
14. Nada - Confiteor
15. You were just you
16. Vinicio Capossela - Adius
17. Orchestra del Teatro Regio di Parma - instrumental suite of songs from fragments of Piero Ciampi
18. The wine
19. You no
20. I need to see
21. You and I
Maria 
0 comments:
Post a Comment